대학에서는 미술을 전공했다. 졸업 후에는 페인팅 개인전 <-8.5의 감성, 2011>, <코스모스, 2013>를 개최했다. 2015년부터 영상 작업을 시작했다. <강정 오이군, 2015>,  <덩어리, 2016>, <블라인드 필름, 2016>,  <봄날, 2018> 등을 연출했다. 제천국제음악영화제, 서울독립영화제, 서울국제뉴미디어페스티벌, 인디포럼 등에서 상영한 이력이 있다. 최근에는 영상과 피아노 연주를 결합한 오디오비주얼 퍼포먼스를 병행하고 있다.

Oh Jae Hyeong majored in Painting at university. After his graduation, he held a painting solo exhibition <Sensitivity of -8.5, 2011> and <Cosmos, 2013>. He started working on videos in 2015. He directed films such as <GangJeong mr.Cucumber, 2015>, <The Lump, 2016>, <Blind Film, 2016> and <A Spring Day, 2018>. He have screened at the <Jecheon International Music & Film Festival>, <Seoul International New Media Festival>, and <Indie Forum>. In recent years, audio visual performance has been combined with video and piano performance.

Oh Jae Hyeong

Gwangju, b.1985

owogud@naver.com

■  Solo Exhibitions

2016   「BLIND FILM」 , Just Year Miseulkwan, Seoul  *performance

2013   「COSMOS」, OhZemidong Gallery, Seoul

2011   「Sensibility of -8.5」, Ssamzie Nongbu Non,Bat Gallery, Heyri

2011   「Nature Portrait」, Open Space Door, Seoul  

■  Group Exhibitions

2018   「Igong Video Showcase Market」, Inn Seodaemoon, Seoul  *performance

2017   「Finally My Theater」, Haengwhatang, Seoul

2016   「Drawing Theater」, Takeout Drawing, Seoul

2016   「Landscape」, Just Year Miseulkwan, Seoul

2015   「Against The Forgetting」, Ansan art center, Ansan

2014   「GangJeong Breath Green」, Suwon Art Center, Suwon

2012   「THE MOMENT」, EVE Gallery, seoul

2011   「Color&Outside」Trio Landscape, Gallery Doma, Kangwon University Hospital  

■  Screening

2018   「Jecheon International Music & Film Festival」, Jeochun  *performance

2018   「Seoul International NewMedia Festival」, Indiespace, Seoul

2018   「Seoul Dance Film Festival」, Artnine, Seoul

2018   「Gwangju Independent Film Festival」, Gwangju

2018   「Rebellious Imagination」, Igong, Seoul

2018   「Indiedocu Time Travel」, Cinematheque KOFA, Seoul

2017   「CINE'ECO environmental film festival 」, Seia, Portugal

2017   「Jeju Film Festival」, Megabox, Jeju

2017   「Miseenscene Short Film Festival」, Lotte Cinema, Seoul

2017   「Cort Wednesday Festival 」, Club Bbang, Seoul  *performance

2017   「Seoul International NewMedia Festival」, Indiespace, Seoul  *performance

2017   「Indie Film Fest vol.6」, Indiearthall Gong, Seoul  *performance

2017   「Indieforum」, Indiespace, Seoul *performance

2017   「Exile Ocean」, Blacktent, Seoul  *performance

2016   「Exile Ocean」, Kirin Castle, Seoul  *performance

2016   「Exile Ocean」, Pringe festival, Jeju  *performance

2016   「Indieanifest」, Seoul Animation Center & CGV, Seoul

2016   「Monthly SIDOF」, Indiespace, Seoul

2016   「Seoul Independent Film Festival」, CGV, Seoul

2016   「Indie Forum」, Seoul Art Cinema, Seoul
2016   「Indie Docu Festival」, Lotte Cinema, Seoul 

2016   「Cinelook」, Daelook Bookstore, Seoul

2016   「Watch Docu」, Docupurn Studio, Seoul

2016   「Sungdong Human Right Film Festival」, Seoul Forest, Seoul

2016   「International Peace Film Festival In Gangjeong」, Gangjeong Villige, Jeju

2015   「Indie Forum」, Lotte Cinema, Seoul

2011    「Seoul International NewMedia Festival」, Igong, Seoul

2008   「Indie-AniFest」, Seoul Animation Center

■  AWARD

2017   「CINE'ECO environmental film festival 」, 'Honorable Mention' 

■  EDUCATION

2010   Sangmyung University, BFA Korean Painting

쫓겨나는 것들이 많다. 거주지에서 길바닥으로, 이 거리에서 저 거리로, 보이는 곳에서 보이지 않는 곳으로 세상은 매일 한 움큼씩 사라진다. 지옥은 동일한 패턴으로 만들어진다. 타깃을 만든다. 거기에 견고한 임시 벽을 세운다. 곧이어 벽 안을 식민지로 선포한다. 어떤 일이라도 용납하고 허용한다. 공인된 폭력이 활개 친다. 일이 끝나면 임시 벽은 허물어진다. 이어폰을 끼고 돌아다니는 사람들이 그 곳을 힐끗 보고, 가던 길을 간다. 나도 그 중에 한 사람이다.

눈을 감으면 편하다. 아직 내게 깊숙이 닥친 일이 아니니까. 그런데 왜 나는 부채의식을 가지고 있는 걸까. 아니, 가지고 있다고 ‘믿고 싶은’ 것일까? 내가 만든 작업이 세상이 도움이 될까? 그랬으면 좋겠다. 

There are many things being kicked out. From the residence to the street, from this street to that street, from the visible to the invisible, here and there parts of the world disappears every day. Hell is made in the same pattern. First, target is created. Then a solid temporary wall is built around the taret. Soon the walls are declared as colonies. Certified violence is allowed inside there. When the work is over, the temporary wall is broken down. People who walk around with earphones in their ears look at the place and keep going on their way. I am one of them.

It feels better when I just close my eyes. All those events are not something happens to me directly. But why am I having a sense of guiltiness? Or do I want to “believe” that I have a feeling of guiltiness ? Will any of my artistic creations help to change the world? I hope so.

INTERVIEW